There’s something appropriate about the fact that producer/composer Paul White was born and still lives in London’s South (Lewisham); a part of the city brimming with immigrant voices, open-air markets selling fish, batteries and kitchen utensils, rich with Blakean echoes.
The great Romantic poet and mystic, William Blake (1757-1827) lived in Deptford, not so far from Lewisham. As a child, Blake would regularly go for six-mile walks in this untamed, bucolic part of the capital. At the age of four, it is said that Blake saw God’s head appear in a window and then as an eight-year-old on one of his walks in south London saw the prophet Ezekiel under a “tree filled with angels.”
(Blake’s first biographer, Alexander Gilchrist writes: “Sauntering along, the boy looks up and sees a tree filled with angels, bright angelic wings bespangling every bough like stars.”)
During one of our two phone conversations in August/September, Paul White often speaking in a very quiet voice, his sentences full of pauses, interspersed with bursts of enthusiasm, I asked if there was any significance in the fact that many of the samples used for his production work with Detroit MC Danny Brown came from English artists. “Do you feel that you’re drawn to a particular sound that comes from the UK,” I asked.
Paul White: “I don’t think so, not necessarily, it’s a feel. I’m drawn to something that is totally different: someone being themselves and experimenting, that’s what I can really relate to. Something so wild and so free, that’s how I try and create.”