“Mozart belongs to me, Dizzy Gillespie belongs to me. There’s no separation because each are geniuses and through music they described where they live. I love Russian music, with Stravinsky you hear the spirit of the people, so if we look at music as one, which I do, we have a lot to learn.”
Randy Weston, Interview - 50th Montreux Jazz Festival 2016
“In 1969, two years after relocating from Brooklyn to Tangier, Morocco, Randy Weston, then 43, attended a Lila—a Gnawa spiritual ceremony of music and dance—that transformed his consciousness and changed his life. In a remarkable chapter of his autobiography, African Rhythms (co-authored with Willard Jenkins), Weston recounted that although Gnawan elders, concerned for a non-initiate’s well-being, were reluctant to allow him to attend the all-night affair, he persisted, telling them that “perhaps the spirits [were] directing me to do this.” As has often happened during the iconic pianist-composer’s long career, he charmed them into seeing things his way.
Gnawa cosmology applies a different color—and a different rhythm and song—to each deity, and at a certain point during the proceedings, the musicians played dark blue for “the sky spirit with all that the sky represents—greatness, beauty, ambiguity, etc.” Weston’s “mind had been blown.” Invited back the following night “to experience the color black,” he declined. Later, Gnawas with knowledge of these things told Weston that he had found his color.
“I’m not an ethnomusicologist or a spiritualist, but when you’re with these people long enough you don’t laugh at this stuff,” Weston wrote. How else to explain why Weston entered a two-week trance? “I was physically moving and otherwise going through my normal life, but I was in another dimension because this music was so powerful,” he explained. “Imagine hearing the black church, jazz, and the blues all at the same time.”
Ted Panken, “For Randy Weston’s 89th Birthday, A Recent DownBeat article (2015)
“Ganawa (Blue Moses)” Blue Moses, CTI, 1972